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Most of the toning is in the basic panel, RGB curve, slight use of individual color curves for shadow toning, HSL, and camera calibration panel. If your brand is not supported, they recommend using the Canon presets. These presets are based on Adobe standard. Once you have a feeling for which preset will work best on a certain image, the only real tweaks are exposure, white balance, and tint. These presets are advertised as a click process, which was found to be the case.
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The exact skin tones, contrast, and shadow color shift red! You get the contrast and deep shadow look, but with skin tones that maintain a natural tone, instead of looking like underexposed film. You can finally add grain that resembles 35mm or medium format film. These presets offer a simple process: decide on film stock, with either 1 or 2 stop push. It allows hybrid photographers the ability to easily match their digital files to their film scans, or for digital shooters to get the film look they want. These presets are created to specifically emulate Kodak Portra film, when pushed in development, and scanned on the Fuji Frontier scanner. A long time film shooter, he longed to create digital presets that would match the tones from his Frontier scanner. Mastin Labs was created by Seattle photographer Kirk Mastin.